Even through the sepia-toned lens and rose-colored shades, those tans and reds are all just shades of grey. The gorgeous orchestration enters the uncanny valley of digital sound, not quite real as the instruments are pulled menacingly out of key. “I found / That this certain shade / I used to see as grey would fade,” he sings, and this realization is a jarring one.
#The few things jp saxe full
But it is still full of surprises, as he worries that things are not so cut and dry after all. Singer Jay Sakong uses colors to represent clearly delineated absolutes - the blue of sadness, the color draining altogether from a horrified face or the stark black-and-white contrast of finality and hope, how a goodbye can be loaded with the context of either “Nice to know you” or “Hope to see you soon.” “It’s the most honest and straight forward song I've ever written, and I think there's a real honesty and innocence in that simplicity,” says Sakong. The choruses soar with an orchestral beauty not often paired with the suspense of the quietly haunting verses, showing off the New Jersey band’s versatility and mastery of emotional expression.
“I know there’s nothing more from life that I could ask.”įor such a pretty song, OWEL’s “I Saw Red” is as tense as they come. He’s still figuring things out - the guitar and piano never quite line up (in the most endearing way) and he tests the uncertain waters of a time signature change to 11/8 in the (smoothly executed) outro - but the song ends with the same static, the same wide open door. Rather than brood in the silence of a now-empty house, he presses play on the tape-deck-static-soundtrack to the rest of his life. He doesn’t take the opportunity to pity himself, as those opportunities come far too frequently in life, admitting that he “was a loser.” Instead, on that fateful Thanksgiving Day, he is grateful for the life that he lives, the connection he made (however impermanent it was) and the boundless future that lies before him.
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With all of the charming quirk of the opening credits of a Michael Cera movie and the familiarity of a record that has collected decades worth of dust, Mat Davidson sits on the floor examining the state of his life at the end of a relationship in “Young God (gotta lotta feeling),” the first single from Twain’s upcoming 2019 release. Pressing play, it could be any number of your favorite songs as the white noise gives way to a more intentional, more meaningful sound. The static buzz from a tape deck signals endless possibility. As the song comes to an end, the last lines tie it all together in one final confession, "I'm halfway round the world in Barcelona / Tryna feel my world expanding / Like none of it was built around you / This wasn't supposed to be about you." It's a battle of the mind and the heart, and as Saxe sings his breath-taking voice echos the deep emotions he feels within. Traveling while having someone on your mind is an experience in and of itself, and the balance between trying to enjoy the moments while also wishing that person was were there alongside of you, can easily taint them.
As seen in "The Few Things" Saxe has a way of accurately expressing universal feelings that at one time seemed to only find their existence in our heads. The plan for spending his 25th birthday in Barcelona, was for a celebratory time with friends immersed in a new culture, but within the good times is a longing for someone who isn't there. With "25 in Barcelona" Saxe beautifully sings us a confessional song, accompanied by an acoustic guitar, that seemed to accidentally happen. You may know JP Saxe from last year's breakout song " The Few Things," but he is far from a one-hit wonder.
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